indian dance

Dance forms in India : Folk music and tradition is the rich heritage of modern India. Despite the advent of technology, open communication and developments in all fields, the area of fine arts still gives a proud picture of our India. Dance is a part of celebration and is the intrinsic part of Indian glory. There are folk dances which are distinct and distinguished as per the geography. This also calls for a lot of make up talents and attire which only enhances the beauty of the dance and song.
The ghumar dance of Rajashtan is a lot about rotation and typical palm movements. The ghungrus and the ghungat impart more style to this type of dance. The Lavani of Maharasthra is now being revoked by sincere people and the type of dance is now again getting traditional in its concept without being polluted by other influences. The gharba dance which was a form of raas by the gopis and Krishna is now being followed in all parts of India. There is enough commercialization in the 9 day festival in metros and the participation is done on a wide scale.

The Manipuri and Oddissi dance is very ethnic in its concept. There are a number of folk dances which still happen in the villages where the authentic lifestyle of rural India is displayed. Dance is the main form of artistic entertainment along with folk songs and other influences that is brought in by cinema. Acknowledging the subtle distinguishing points, the essence of Indian dance form is pure and unique.
Dance is a physical and visual art form, which has an immediate and massive impact on the spectator. The various Indian forms act like a window to India's rich cultural reservoir. Dance is the form of art, wherein the body is used as a medium of communication. Indian dances have played an influential role in many other realms of art including poetry, sculpture, architecture, literature, music and theatre.

The earliest archaeological evidence of Indian dance, which dates back to 6000 BC, depicts a beautiful statuette of a dancing girl. Bharata's Natya Shastra (which was written between the 2nd century B.C. and 2nd century A.D) is the earliest available thesis on dramaturgy. All forms of Indian classical dances owe allegiance to Natya Shastra, which is believed to be the 'fifth Veda' of the Indian culture.

According to a popular belief, Brahma, the Creator of the World, combined literature from the Rig Veda, songs from the Sama Veda, abhinaya (expression) from the Yajur Veda and rasa (aesthetic experience) from the Atharva Veda, to form natya (what we today call dance). It explains the nuances of dance, giving stress on mudras (hand formations) and their meanings, the kind of emotions and their categorization.

Apart from the abhinaya and the performance of rasa, the audience is amused by the attire and ornaments of the artist. The majority of Indian classical dance forms are focused on the depiction of the nine rasas (Navarasas or the emotions), which includes Hasya (happiness), Krodha (anger), Bhibasta (disgust), Bhaya (fear), Shoka (sorrow), Viram (courage), Karuna (compassion), Adbhuta (wonder) and Shanta (serenity).
The dance heritage of India is at least 5000 years old. A dancing girl figurine was found in the ruins of Mohenjodaro and is dated approximately 2nd Century B.C. Many group dancing sequences are depicted in exquisite rock paintings of Bhimbetaka caves of Madhya Pradesh. The apsaras (Celestials) dancers are carved at the gateways of Sanchi. The wall paintings of Ajanta and Ellora, the sculptures of Khajuraho, the temple walls of Hoysala dynasty, stand ample evidence for popularity of Indian dances from ancient times.

Through the centuries the dances have been used as a vehicle of worship and expression of emotions in India. The temple dancers (Devadasis) have led a very austere lives in order to perform sacred dances to please Gods and Goddesses. The Devadasi system is still prevalent in some states of India. In Karnataka they are dedicated to the Goddess Yellamma of Savadatti. In Orissa, they are appointed to perform various activities of the temple.
The Portuguese traveler, Domingo Paes visited the Vijayanagar kingdom in 1520-22 A.D. and has left behind a vivid description of the dancers he saw in the kingdom. His original chronicles have been preserved in the Bibliotheque nationale de France, in Paris. He visited special dancing halls where young female dancers were given intensive training. The walls were decorated with paintings depicting various dancing poses which helped the dancers to correct their steps. The king, Krishna Devaraya himself took very keen interest in their dance education and periodically visited these halls. During the Navaratri festival celebrations the dance performances were given great importance. The dancers were adorned with innumerable ornaments, made out of gold, pearls, and diamonds. "At times the jewelry they wore use to be so heavy that the dancers were supported by the other women who accompany them".


History of Indian Dance

by K. L. Kamat
First Online: August 13,2000
Last Updated: January 22,2010
History of Indian Dance

The dance heritage of India is at least 5000 years old. A dancing girl figurine was found in the ruins of Mohenjodaro and is dated approximately 2nd Century B.C. Many group dancing sequences are depicted in exquisite rock paintings of Bhimbetaka caves of Madhya Pradesh. The apsaras (Celestials) dancers are carved at the gateways of Sanchi. The wall paintings of Ajanta and Ellora, the sculptures of Khajuraho, the temple walls of Hoysala dynasty, stand ample evidence for popularity of Indian dances from ancient times.

Through the centuries the dances have been used as a vehicle of worship and expression of emotions in India. The temple dancers (Devadasis) have led a very austere lives in order to perform sacred dances to please Gods and Goddesses. The Devadasi system is still prevalent in some states of India. In Karnataka they are dedicated to the Goddess Yellamma of Savadatti. In Orissa, they are appointed to perform various activities of the temple.
A Devadasi (temple woman) performing to please goddess Yallamma
A Temple Woman Dancing to Please Goddess Intricately Carved Sculpture of a Dancer, Belur
Dancer from a Medieval Sculpture Nataraja -- the cosmic dance of Lord Shiva
Lord Shiva and His Cosmic Dance

The Portuguese traveler, Domingo Paes visited the Vijayanagar kingdom in 1520-22 A.D. and has left behind a vivid description of the dancers he saw in the kingdom. His original chronicles have been preserved in the Bibliotheque nationale de France, in Paris. He visited special dancing halls where young female dancers were given intensive training. The walls were decorated with paintings depicting various dancing poses which helped the dancers to correct their steps. The king, Krishna Devaraya himself took very keen interest in their dance education and periodically visited these halls. During the Navaratri festival celebrations the dance performances were given great importance. The dancers were adorned with innumerable ornaments, made out of gold, pearls, and diamonds. "At times the jewelry they wore use to be so heavy that the dancers were supported by the other women who accompany them".
Dance in Indian Society

Nataraja, the dancing Lord Shiva, is the supreme manifestation of Indian dance. The moon which he adorns in his head is the symbol complete control of senses. The serpents wound around his body is the proof of his complete control over vital life forces. His foot raised high over the wicked demon, a symbol of triumph over the ego.

The Indian dances have sprung from the religious urges of her people. Its thematic contents are based on the rich mythological lore of the country. The dance technique is based on a few ancient treatises, like the Natya Shastra of sage Bharata, which were written nearly two millennia ago. The Indian dances consists of three distinct types. "Nritta" is pure and simple dance with movements of body and limbs. "Nritya" is linked with facial expressions, hand gestures and symbolic body poses. "Natya" has the elements of a drama which is introduced through the use of spoken world. All the types involve the use of "mudras", which are well developed types of gestures during the dance. The dancers use their entire body to communicate with the audience.

The major Indian classical dances are: Bharata Natyam, Kathakali, Kathak and Manipuri, Kuchipudi, Odissi and Mohini Attam. In addition, there are innumerable folk and tribal dances spread all over the country.
Folk Dances of India
India is a land of varied cultures and traditions. Diversities in all spheres make the Indian culture quite unique. Indian folk and tribal dances are product of different socio-economic set up and traditions. Indian folk and tribal dances are simple and are performed to express joy. In India we have festivals and celebrations virtually every day. This has added to the richness of Indian culture. Since every festival is accompanied by celebration, folk dances have become an integral part of our social milieu. While there are numerous folk and tribal dances, they are constantly improved. The skill and the imagination of the dances influence the performance.

Folk dances are performed for every possible occasion, to celebrate the arrival of seasons, birth of a child, a wedding and festivals. The folk dances are extremely simple with minimum of steps or movement. Indian folk dances are full of energy and vitality. Some dances are performed separately by men and women while in some performances men and women dance together. On most occasions, the dancers sing themselves, accompanied by artists with instruments. Each form of folk dance has a specific costume and rhythm. Most of the costumes, worn for folk dances, are colorful with extensive jewels and designs.